2023

Àitason di Paolo William Tamburella

curated by Valentina Bruschi
Àitason is the new work by Paolo William Tamburella that inaugurates the second edition of CORTEMPORANEA, the project that transforms the courtyard and halls of Palazzo Chigi Zondadari, in Piazza del Campo in Siena, into an exhibition space dedicated to site-specific works by Italian and international artists invited by Flavio Misciattelli, President of the Fondazione Palazzo Chigi Zondadari, to freely interpret the space.

A riot of vine plants winds its way from the courtyard through the rooms of the palace's main floor in a movement whose rhythm seems to animate a dance in the ballroom. In a continuous interweaving, they climb and expand around windows, balconies and works from the collection of Palazzo Chigi Zondadari, in a dialectical relationship in which the strength of 18th-century architecture and that of nature confront each other in a symbolic embrace.‘Paolo William Tamburella's work renews the desire to activate the house-museum and open it up to the community through contemporary art projects,’ says Flavio Misciattelli, "with the aim of continuing the encounter between present and past, in which reciprocal suggestions can become an opportunity for stimulation and knowledge.

Àitason is a word of Etruscan origin that describes the cultivation of vines on trees, a technique also known as “maritata vine” in reference to the close bond that is created between the vine and the tree around which it wraps itself for support. Similarly, the artist conceived the site-specific work for CORTEMPORANEA as a sculptural installation that wraps around and through the courtyard and the interior of the palace until it projects itself beyond its walls. Moreover, in the grand ballroom, some vine branches collected by the artist in France on the slopes of the Sainte-Victoire mountain are dressed in precious golden armour, a second skin, an act of protection but even more of rebirth.
The material for the installation was collected by the artist not only in the vineyards of Provence but also in the vine-growing lands around Siena, in an ideal connection between the millenary tradition of viticulture in these different areas of the Mediterranean and the context of Palazzo Chigi Zondadari.The residence is still owned by one of the oldest families in the area, whose heritage has always been linked to agricultural activity and then also reinvested in cultured patronage, as the palace's collection testifies.As the curator Valentina Bruschi writes in her essay for the catalogue, ‘Paolo William Tamburella's sculptural installation becomes a unique work of art in which the intertwining of vines, of surprising dimensions, grafted into the 18th-century architecture of the palazzo, seems to celebrate its magnificence in a eulogy of the past centuries and of time that sees the natural element place itself in symbiosis with the dwelling, as if it had always inhabited it and always been in dialogue with it’.

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The artist
Paolo William Tamburella
Credits: Ela Bialkowska, OKNO studio.

He's an artist known for his site-specific interventions that he executes with the most diverse materials in conversation with the contexts that house them, he addresses issues related to cultural identity, appreciation and rediscovery of traditions.
He has participated in the 53rd. Venice Biennale, the 2nd Singapore Biennale and began his exhibition career in New York with gallery owner Annina Nosei. He was co-curator of the first Bangladesh pavilion at the 54th. Venice Biennale. He lives and works between Rome and Tuscany.

https://www.paolowilliamtamburella.com/
Instagram: @paolo_william_tamburella